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Tarzan was the first Disney soundtrack to be recorded in multiple languages for. The song 'You'll Be in My Heart' won both an Oscar and a Golden Globe for best original song. The songs on the soundtrack were composed by Phil Collins, and the instrumental score by Mark Mancina. Tarzan: An Original Walt Disney Records Soundtrack is the soundtrack for the 1999 Disney animated film, Tarzan.
He described the experience of songwriting for a film as easier than normal because of having source material to inform the music versus having to generate original ideas and concepts from scratch.Collins learned to sing phonetically in Spanish, Italian, French, and German specifically for this project and had never sung in a language other than English before. Phil Collins’ voice saturates the soundscape in a way that is intuitive and natural, and summons shared origins between the souls of indigenous singers and the almost invocatory, animistic impressions Collins leaves behind at times in his most fervent moments.In an interview with MTV Japan in 1999, Collins said originally he started writing the songs as if the characters were meant to sing them, but was eventually asked to perform the songs himself since “the way I was writing and singing the songs was so much a part of the spirit of the film, they didn’t want anybody else…”. A recording that was never included on the soundtrack called 6/8 Intro that was used to promote the film at release contains no lyrics but festive and exuberant polyrhythms, harmonized choral sections, and impassioned cries that are reminiscent of Zulu and Swahili song.
For example, the Italian language version of Son of Man is titled In Tuo Figlio (In Your Son) and the last line of the refrain “In tuo figlio un padre scoprirai” blends the ideas of growing and maturing into a human from Son of Man with a father-son relationship using the lyric “In your son, a father will you discover”, similar to the parallelism of “In learning you will teach, and in teaching you will learn…” from the second verse of Son of Man. It seems to speak on a sense of consistency that was sought out in the character and the mood of the songs that was already established, for instance, in Tor Endresen on the Norwegian soundtrack, Stig Rossen in Danish, and Paweł Hartlieb in Polish.Some of the foreign language versions of each song capitalize on different themes in localization, both in Phil’s and others. In many of the soundtrack versions outside of the languages that Collins sang in, the singers chosen for the records seemed to share similar pop or rock backgrounds in their respective countries and have similar timbral and expressive qualities in their voices relative to Phil's.
Phil Collins Tarzan Songs Movie Is About
Phil Collins sings about the characters in the third person or in their stead, such as during You’ll Be In My Heart, but the characters’ themselves are never augmented by the music, regardless of if the animation is from one scene alone or a montage of scenes where a single character is being emphasized, versus a third-person omniscient narrator. This effect probably would not have been possible if the characters had sang the songs instead, outside of Trashin’ the Camp which does not have any lyrics but is one continuous scatting and rhythm piece that is also blended into the actions of the characters finding and playing with manmade objects to create percussion before the song actually begins.Consequently, these creative decisions also caused the characters in the film to not hold up as well to other characters from films during the Disney Renaissance, because the musical theater traditions of having characters sing and dance themselves were intentionally broken, resulting in a different relationship between the characters on-screen and the viewer. On a metaconceptual level there is a language barrier between the humans and the animals, and initially Tarzan and the humans, so the songs seem to serve both a communicative role to the viewer that articulates the feelings of the characters as well as one that allows the pace, tone, and plotting to remain intact in the same space. The lack of dialogue makes the music even more memorable and palatable, as well as vital for driving the narrative. The lyrics in Tarzan in foreign adaptations are pretty much one-to-one with the source language, undoubtedly because of what the movie is about, and the primal messages that infuse and imprint an almost scriptural level of textuality in the context of the film.Greg Perler, the film’s editor, commented on there not being a lot of dialogue in the film, and a lot of what is communicated being visual, from camera panning to the facial expressions and gestures of the characters. In the Italian version of “Circle of Life” written by Elton John and Tim Rice from The Lion King, a “wheel-of-fortune” becomes a “merry-go-round”.
The manner in which the rhythms found in both the visual techniques as well as the songs written by Collins simultaneously inform each other and weave ideas together is one of the most interesting and immersive aspects of both Tarzan and its soundtrack, whether or not Tarzan is surfing barefooted through trees or learning about his past and the culture of humans.Collins’ contributions to the soundtrack by way of non-diegetic songs has been a bone of contention among Disney fans who did not all respond equally or favorably to the decisions of the studio to create a more introspective and less theatrical story. Mark Mancina used melodic sections from You’ll Be In My Heart as well as Two Worlds in the track One Family which is played during the emotional turning point in the film, and the leitmotif that plays during Tarzan and Jane’s first encounter as well as their interactions during the end of the film calls up a more wistful interpretation of the refrain from Two Worlds.Thomas Schumacher, the then-and-current president of Disney Theatrical Group, remarked on the film having “…sequences of action…that play out unlike other animated movies we’ve done…a certain kind of maturity…about how to tell a story.” He also notes the film’s “beautiful…internal rhythm within sequences” thanks to Perler’s editing prior to animation. The only songs whose themes are repeated during the film in multiple places are Two Worlds and You’ll Be In My Heart because they contain the most important and enduring ideas that encompass Tarzan’s experiences from birth to adulthood, namely about family, identity, and belonging. It would not have been really possible to do this however, nor is it really necessary, due to the unique purpose they play in each part of the film they first appear, such as Son of Man and Strangers Like Me dealing with important, but not primary ideas to the plot and characters that are also rather temporary.
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